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On previous recordings, they had either kept the songs as instrumental pieces, pure an' simple, or else worked in the vocals down the line, with Sandra Nasic (Guano Apes), Linda Sundblad (Lambretta) & the aforementioned Nina H. at various points; when it came time to compose the latest material, however, Eicca was of the opinion that vocals should be involved - at least in part - from day one.He wanted the fifth album to be as complete a body of work as possible, a new chapter in the Encyclopaedia Apocalyptica; this is why first single "Bittersweet" (supported by an Antti Jokinen-directed promo) sees two of the rock scene's fastest rising frontmen, Ville Valo from H. M & Lauri Ylonen from The Rasmus, sons of Finland both, going head to head and heart to heart while the band hang like bats from the ceiling!"We used much more effects than we usually do and got a different kind of sound experience than ever before, but still I think the album is very organic," Toppinen says."The drums area more natural and there's not so much sampling or editing.At the same time, 7th Symphony contains songs that rock harder than anything they've done since 2001 when they released the epic, transfixing album Cult, their first album to contain mostly originals.In the same way that Cult caused fans to view Apocalyptica from a different perspective, 7th Symphony is the next forward step in the group's creative evolution.As with its predecessors, the disc featured numerous guest stars: Lombardo returned for "Last Hope", Slipknot's Corey Taylor appeared on "I'm Not Jesus", Lacuna Coil's Cristina Scabbia sang on "S. Since they formed in 1993, their music has been gripping, dynamic and full of melody.
Back home in Finland, the album was consequently reviewed by journalists from the classical terrain - "and what's wrong with that? "We are professionals, we are very serious about what we are doing and we approach our music with sincerity - so where's the problem? Apocalyptica is simply in the front line of an indigeneous Finnish music culture where artists strive to mix and match the most varied of musical styles.
Respected sources, the oldest surviving cello can be dated back to 1572.
It was fashioned by the Italian Andrea Amati, a Cremonese craftsman who could never have guessed that distant cousins of his cherished violoncello would one day be fitted with pre-amps & pick-ups then remorselessly bowed to the brink of sawdust.
Since 1993, when these Sibelius Academy graduates first raised their black-haired bows in rocknroll anger, they have released two critically-lauded albums (of covers & originals), with a third, the Kai Hiili Hiilesmaa-produced "Cult", due out in November through Spitfire Records; during this time, the Helsinki-based heavy cellists have put their suitably dramatic monicker to over half-a-million album sales and topped the three-figure mark for concerts in more than 20 different countries, picking up accolades (such as the 1997 Export Project Of The Year Award) along the way.
Not bad for a band who started out playing Metallica songs for fun.